Pianist Uwe Oberg’s latest release – Twice, At Least – is a solo outing recorded at concerts in Germany in 2012 and 2015. In addition to the self-penned compositions, he also plays works from Annette Peacock, Steve Lacy, Carla Bley and Thelonious Monk.
Throughout the performances, Oberg expands the sound of the piano by often simultaneously playing the keyboard while also reaching inside to pluck the strings. This practice adds an extra layer of detail and expressiveness to the works which are already detailed and dynamic.
Hearing these live recordings makes the listener wish that there they were in the audience to see the performance first-hand. An excellent collection of works which excite the ears with their dynamic variations.
VocColours is a quartet of poetic vocalizers who have teamed up with musician Eberhard Kranemann to produce a unique blend of voices along with double bass and electronics. Throughout their CD entitled Luxatio, the ensemble bobs and weaves through a tapestry of vocalizations with sympathetic sonic accompaniment by Kranemann.
The result is a quilt of sound full of abstract sonic imagery and highly interesting blending dynamics.
The other two most recent releases in this latest batch from Leo Records share many similar sonic traits.
14 rue Paul Fort, Paris features the trio of Joelle Leandre (bass), Benoit Delbecq (piano) and Francois Houle (clarinets). Ramble is by the quintet known as SWQ and features Sandra Weiss (sax, bassoon), Jonathan Moritz (sax), Kenny Warren (trumpet), Sean Ali (double bass) and Carlo Costa (drums).
On both recordings, the ensemble players are seeking to create a flowing and abstract sound picture. The musicians listen to the sounds emanating from around them and spontaneously react to the situation at hand. It feels more like an improvisation of sound clouds than a a musical progression.
These clouds bend and blend to create a wonderful distortion of musical reality. Two sonic excursions which provide an aural palette of curious abstract imagery.