Tag Archives: Daevid Allen

Wrapping up 2015

Well, I guess that 2015 has turned out to be an eventful year after all. Back in April, I celebrated my 25th anniversary on the radio at CHRW-FM here in London. I took that opportunity to announce my retirement from the airwaves. I’d like to take this opportunity to once again thank all of the folks who I’ve known at the station over all of those years. It was a lot of fun to be able to share music with my listeners over all of that time.

Before I left the radio station, I decided to continue to share my thoughts on music and create this music blog. Since I’ve had several hundreds of articles and reviews of music published over the years in various publications, it seemed like a natural progression. Since it’s introduction at the end of April, the Wired for Sound Blog has received a steady stream of hits and I’m very pleased with the positive feedback. It’s also nice to continue to receive musical contributions from a number of the musicians and record labels who had previously sent me music to feature on the radio programme. Thanks to all of the folks who have continued to visit the blog over the months.

Over the year, we’ve lost a number of important musicians and composers. I’ve written about many of them in the pages of the blog including Daevid Allen, Ornette Coleman, Dieter Moebius, Chris Squire, John Renbourn etc…

While I didn’t see a lot of concerts during the year, it was a great pleasure to attend the 50th anniversary performance of the Nihilist Spasm Band at Museum London. It’s always a special event to hear them play. Joe McPhee was a special guest at the show, too.

As a music fan, I’m always pleased to discover music by new artists. This year, two of my favourite new discoveries were Courtney Barnett and Ryley Walker. Their recent LPs have been spinning quite a bit around here during the year.

It’s also been another great year of sharing information and stories about music over at the Steve Hoffman Music Forums. Many thanks to all of my friends there who enjoy spinning vinyl and relating their stories. It’s my favourite place to visit here on the webernet.

It’s also been another productive year of music making for me, as well. I’ve had many enjoyable recording sessions with my friend and music partner Richard Moule with a number of excellent pieces of Transmorphous Sound Ensemble pieces now in the archives. We also had a great time performing at Grooves for Nuit Blanche back in June, Thanks to Troy and the folks there for allowing us the opportunity to perform in their space.

The year also presented some challenges. Back in March I had a scheduled surgery but, that was accompanied by another unexpected emergency surgery two weeks before that. Thanks to Richard for his help at that time. Also, thanks to all of my other friends for their well wishes and support. It was greatly appreciated.

So, now it’s time to look towards 2016. I’m looking forward to heading to England once again. It’s always a great time staying with my friends Simon and Ann. I’m also looking forward to performing again with my musical friends Martin Archer, Nick Robinson, Mick Beck and Charlie Collins.

Wishing everybody a happy and healthy 2016!

 

Gong vs Charly Records – A Warning

If there’s one thing that I can’t abide, it’s record companies screwing around artists. Apparently, Charly Records are re-issuing the classic Radio Gnome trilogy without the consent of the surviving members.

Guitarist Steve Hillage recently made a post on Facebook outlining the details and I would like to pass them along as a warning to prospective purchasers. Please support the artists and heed Steve’s advice.

From Steve Hillage:

OFFICIAL GONG BAND MEMBERS STATEMENT

We, the surviving members of Gong, do not support BYG/Charly Records upcoming reissue of the Radio Gnome trilogy.

None of the surviving members of the lineups that created those recordings were ever signed to BYG or Charly Records.

The truth is that immediately before the making of Flying Teapot in January 1973, the band learned that Daevid Allen’s once record company – BYG Records (also known as Promodisc) – had gone bust, it’s Paris office stripped bare, no phones working. The band was abandoned at the Manor Studios at the start of recording the album. Virgin – at the time just a chain of record stores and The Manor studios – was about to launch their record label.

Faced with an unpaid recording bill, they decided to cut their losses and release Flying Teapot as the second release on the new Virgin Records label. That’s the true story.

The booklet advertised as accompanying the Charly/BYG Release is full of untruths, lies and falsehoods claiming to represent Charly and BYG Records as some sort of poor victim of Virgin’s wickedness. The truth is that none of the musicians on those recordings has ever received a penny of royalty payments for the Charly/BYG releases, or even a statement. This is understandable because we NEVER signed to BYG or Charly Records as Gong.

Meanwhile, forty years later, we still receive statements from Virgin and, for those of us who cleared our advances, royalty payments, even though Virgin has since been sold to EMI and now is owned by Universal Records.

We know and can confirm as 100% corroborated fact that the Original Masters of these albums reside in the Virgin Records Archive, and that Charly has never at any time been given access to them, so Charly’s claim to have used the Original Masters is false.

Charly has been brazenly abusing our rights as artists for decades. None of us are rich or powerful enough to sue them. All we can do is to let you, our lovely Gong fans, know that we do not support this release. We will be supporting a new boxed set to be released by Universal in a few months with our full collaboration.

DO NOT BUY THIS RELEASE

Daevid Allen (1938 – 2015)

DaevidAllen-Guardian-pic01

Daevid Allen passed away on March 15, 2015. I first heard his music with the group Gong over 40 years ago and acquired many of the albums over the years.

Allen was also a founding member of the band Soft Machine but, left the group early on. Luckily, the early recordings featuring him were recorded for posterity and are still available today.

I never thought that I would have the opportunity to see Gong but, I did manage to finally catch them at a small club in Liverpool called The Lomax in 1997. It was a magical night with the band playing two long sets which included a great deal of the music from their classic era of the early 1970s.

Here is a link to the obituary which appeared on the website of The Guardian.

Gong-handbill-Liverpool-1997